Upcoming Webinars
Rumble Fish Masterclass
Join me and Michele Diomà July 21-23 for a three part Webinar Masterclass on Francis Ford Coppola's anarchist film Rumble Fish. There will be recorded commentary from the master director himself talking about his film that you won't find anywhere else.
Dates and Time:
July 21/23 (Friday-Saturday)
1:00pm-3:00pm PST
The Sacred & The Profane:
Two Films by Phil Kaufman
Sacred Cinema transcends daily life by making us ponder, think, and feel. Profane Cinema engages daily life through amusement and entertainment. Phil Kaufman has done many great films, perhaps more in the Sacred Cinema—Unbearable Lightness of Being, The Right Stuff, and Henry and June. White Dawn, an early work, is an example of Sacred Cinema. The Wanderers, also an early work, one of the most interesting, stylistic cult films I have ever seen, is an example of Profane Cinema. I chose both these films to discuss the difference between Sacred and Profane cinema through the lens of Phil Kaufman. Not many film directors can make a Sacred and Profane film, particularly in a unique signature style. Phil Kaufmann can and masterfully.
The Sacred & The Profane
300
Duration: 3 Days
Dates and Time: TBD
Location: Zoom
Manicheism and Film Noir:
Anthony Mann’s The Black Book and Sam Wood’s Ivy
Anthony Mann’s The Black Book and Sam Wood’s Ivy show that film noir was more than just an extreme black-and-white lighting style. This style came primarily from needing cheaper budgets and films finished fast and into theaters quicker for the WW2-weary public. Film Noir was not just about gangsters, femme fatales, detectives, back alleys, and dangerous streets. Film Noir was more than that, there is a philosophical code very similar to Manicheism—the dualistic cosmology of good/light and evil/dark where humanity is guilty until knowledge proves otherwise. I will discuss this relationship between Film Noir and Manicheism by using The Black Book and Ivy, two rare Film Noir films.
Duration: 3 Days
Dates and Time: TBD
Time: TBD
Location: Zoom
Manicheism and Film Noir
300
Experimental Cinema and Hollywood
The Seventies were the last golden age of Hollywood when the most artistic, auteur filmmakers ruled Hollywood and took Hollywood to another level. They drew from auteurs from the past, like Orson Welles and Stanley Kubrick by staying true to themselves as artists in a difficult, controlling Hollywood studio machine. They were their heroes and inspirations. During this time, they were also influenced by experimental cinema and its iconic filmmakers like Maya Daran, Stan Brakhage, Bruce Connor, Kenneth Anger, and George Kuchar. Experimental Cinema had nothing to do with Hollywood, they used the nuts and bolts of filmmaking to understand film as a fine art form with a different canvas, especially its bending and deconstruction of time and space. Hollywood watched, listened, learned, then applied. Experimental filmmakers also took Hollywood cinema and made it their own. This webinar will delve into the influence of legendary experimental filmmakers on auteur Hollywood filmmakers and vice versa. I will show the Hollywood experimental film-esque film Brian De Palma’s Phantom of Paradise, and experimental Hollywood-esque film George Kuchar’s Club Vatican.
Experimental Cinema and Hollywood
300
Duration: 3 Days
Dates and Time: TBD
Location: Zoom